1
00:00:11,302 --> 00:00:13,012
BUT HOW DID IT DISAPPEAR?
SMOKY DIANA?
2
00:00:13,930 --> 00:00:15,640
[Alfaro] THAT'S RIGHT, MR. SECRETARY.
THEY AMBUSHED US AND...
3
00:00:17,267 --> 00:00:20,311
...I WAS FORCED TO RELEASE HER.
IT WAS THAT OR THEY MADE US ALL FLY UP
4
00:00:20,645 --> 00:00:22,689
IS THAT PHONE YOU ARE USING
IT IS INTERVENED,
5
00:00:22,772 --> 00:00:23,857
CHUZADO OR SOMETHING LIKE THAT?
6
00:00:24,149 --> 00:00:25,859
NO. BECAUSE? WHAT HAPPENED?
7
00:00:27,652 --> 00:00:29,571
I NEED TO SEE YOU NOW
IN THE TELEPHONY SQUARE.
8
00:00:29,654 --> 00:00:31,531
BUT NOW, MY LIFE!
COME IN BOMBS.
9
00:00:31,614 --> 00:00:33,158
I NEED YOU AT THE NORTH ENTRANCE.
10
00:00:33,241 --> 00:00:35,201
DON'T FORGET. NORTH ENTRANCE.
11
00:00:35,785 --> 00:00:38,705
DAD, THE CARGO FROM CANCUN
12
00:00:38,788 --> 00:00:41,583
FULL OF FENTANYL ARRIVES TOMORROW, MIJO.
13
00:00:42,083 --> 00:00:44,002
- [Cecilius] CECILIO. DYLAN.
- [Dylan] DYLAN.
14
00:00:44,627 --> 00:00:46,713
SO, YOU ARE THE OWNERS
OF THE ESTABLISHMENT?
15
00:00:46,796 --> 00:00:47,630
- THERE IT GOES.
- CORRECT.
16
00:00:47,714 --> 00:00:49,132
- WELCOME, BOSS.
- LET'S SEE, MALPARIDOS,
17
00:00:49,215 --> 00:00:50,925
ARE YOU SELLING
FENTANYL HERE OR WHAT?
18
00:00:51,009 --> 00:00:53,344
- HEY, QUIET.
- TALK AND SEE! TALK AND SEE!
19
00:00:53,636 --> 00:00:55,346
IT FLEW UP, TEE, IT FLEW UP!
20
00:00:55,638 --> 00:00:57,849
HOW DID YOU GO BLOW OFF THERE, YOU BIG FAGGOT?
21
00:00:58,308 --> 00:01:00,769
I ASK ALL THE PEOPLE HERE
AND SAY NOBODY SAW IT.
22
00:01:01,019 --> 00:01:02,604
THE STAR LAWYER JUST SPOKE TO ME.
23
00:01:03,688 --> 00:01:04,981
WHAT IS HE GOING TO SEE WITH THE CAPE'S WOMAN.
24
00:01:05,273 --> 00:01:06,608
AND IF HE'S CHOREATING US,
WHAT THE FART?
25
00:01:06,900 --> 00:01:09,360
THE MOST IMPORTANT THING
IT'S THAT THE CAPE CAN FALL.
26
00:01:10,111 --> 00:01:10,945
LET'S SEE, NAVARRO...
27
00:01:13,364 --> 00:01:15,158
I NEED YOU TO TELL ME IF YOU WERE AWARE
28
00:01:15,241 --> 00:01:17,118
OF THE RESCUE OPERATION FOR DIANA AHUMADA.
29
00:01:18,369 --> 00:01:19,204
[Castillo] DID YOU KNOW IT OR NOT?
30
00:01:23,875 --> 00:01:27,212
THIS IS NOT THE TIME, CASTLE.
WE CAN TALK ABOUT IT ALONE.
31
00:01:27,545 --> 00:01:29,172
WE CAN'T TORPEDE OURSELVES
32
00:01:29,422 --> 00:01:30,882
AND THAT'S WHAT YOU'RE DOING, NAVARRO.
33
00:01:30,965 --> 00:01:34,719
LET'S GO TO MY OFFICE I DON'T UNDERSTAND ANYTHING
WHAT YOU ARE SAYING, CASTILLO.
34
00:01:34,928 --> 00:01:36,137
AND YOU BETTER CALM DOWN.
35
00:01:36,221 --> 00:01:38,640
I DON'T THINK YOU WANT TO CONTINUE TALKING
IN FRONT OF THE LADY.
36
00:01:40,141 --> 00:01:42,060
A LITTLE MOMENT.
DON'T GO ANYWHERE,
37
00:01:42,143 --> 00:01:44,103
BECAUSE YOU CAN'T RUMP ME LIKE THIS.
38
00:01:44,187 --> 00:01:45,396
I NEED MY LAWYER!
39
00:01:45,480 --> 00:01:46,481
THEN WE CONTINUE.
40
00:01:47,273 --> 00:01:48,107
LET'S GO.
41
00:01:55,448 --> 00:01:57,367
LET'S SEE, TELL ME WELL WHAT HAPPENED.
42
00:01:57,700 --> 00:01:59,577
HOW DID THEY RESCUED DIANA AHUMADA?
43
00:02:02,997 --> 00:02:04,332
YOU ASKED ME FOR DISCRETION, DIDN'T YOU?
44
00:02:04,916 --> 00:02:06,376
THEN, LET'S TALK ELSEWHERE.
45
00:02:07,168 --> 00:02:08,920
I DON'T LIKE THE TONE YOU'RE USING.
46
00:02:09,963 --> 00:02:11,256
WHATEVER YOU'RE THINKING
47
00:02:11,673 --> 00:02:13,258
IT HAD TO HAVE BEEN A MISUNDERSTANDING.
48
00:02:19,931 --> 00:02:20,765
SO, JOE?
49
00:02:21,474 --> 00:02:22,892
I AM WAITING FOR A RESPONSE.
50
00:02:22,976 --> 00:02:25,770
DID YOU KNOW THEY WERE GOING TO INTERCEPT?
TO ALFARO WITH THE DETAINED OR NOT?
51
00:02:26,187 --> 00:02:28,148
COULD YOU BE MORE DISCREET, CASTLE?
52
00:02:28,481 --> 00:02:30,900
YOU ALMOST GOT THE STORY
IN FRONT OF A DETAINED.
53
00:02:30,984 --> 00:02:32,819
ARE YOU ASKING ME FOR DISCRETION?
54
00:02:33,194 --> 00:02:36,281
WHAT KIND OF DISCRETION? THE ONE YOU USE
IN YOUR RINSES WITH THE BOXES?
55
00:02:36,364 --> 00:02:39,492
PLEASE! YOU KNOW PERFECTLY
THAT I SPEAK WITH LOYAL BELOVED.
56
00:02:39,993 --> 00:02:42,745
I HAVE NEVER DENIED IT TO YOU.
HE IS A FORMER CIA AGENT.
57
00:02:42,954 --> 00:02:45,248
AND NOW HE IS THE BOSS OF A CARTEL
OF DRUG TRAFFICKERS.
58
00:02:45,331 --> 00:02:47,125
TRADE LIKE WE ALL DO!
59
00:02:47,375 --> 00:02:49,919
HOW YOU HAVE MADE THEM
AND ALL OF US ON THIS SIDE!
60
00:02:50,003 --> 00:02:52,463
SO DON'T COME TO ME WITH BATHS
OF PURITY, PLEASE.
61
00:02:52,547 --> 00:02:53,965
EVERYTHING HAS ITS LIMIT, NAVARRO.
62
00:02:54,257 --> 00:02:56,217
THEY FORCED US
SMOKED DIANA, DAMN!
63
00:02:56,301 --> 00:03:00,179
LET'S SEE, CASTILLO, WHAT IS THE LIMIT?
TO FIND OUT, HUH?
64
00:03:00,471 --> 00:03:03,391
SO THE LABORATORY
OF FENTANYL WE RAISE
65
00:03:03,474 --> 00:03:06,561
HOW MUCH YOUR PRESIDENT PRAISED YOU
IT WAS THANKS TO THEM.
66
00:03:06,644 --> 00:03:08,229
WAS THAT WHERE I EXCEEDED THE LIMIT?
67
00:03:08,313 --> 00:03:09,898
WE ARE TALKING ABOUT SMOKED DIANA.
68
00:03:10,231 --> 00:03:13,776
IT'S UP TO YOUR NECK
WITH THE BOXES AND YOU KNEW IT!
69
00:03:13,860 --> 00:03:15,570
AND YOU CALLED ME TO RELEASE HER!
70
00:03:15,653 --> 00:03:17,280
WHAT ARE THEY ACCUSING HER OF?
71
00:03:17,864 --> 00:03:20,074
WELL, I CAN OPEN IT
A FILE FOR HOMICIDES,
72
00:03:20,408 --> 00:03:23,077
FOR CONSPIRACY TO CRIME,
FOR NARCO. WHAT DO YOU LIKE?
73
00:03:23,161 --> 00:03:25,163
I CALLED ABOUT THE SMOKE,
74
00:03:25,455 --> 00:03:27,874
TO SEE IF YOU GAVE A LITTLE BIT AND YOU DIDN'T WANT TO.
75
00:03:28,041 --> 00:03:31,753
AND THEY TOOK THE WAY
TO TAKE HER DOWN AT GUNPOINT, DAMN IT.
76
00:03:31,836 --> 00:03:33,922
AS IF YOU DON'T KNOW HOW THOSE PEOPLE OPERATE.
77
00:03:34,005 --> 00:03:36,799
SO THEY ARE THE GOOD ONE?
ARE THEY DOING THINGS RIGHT?
78
00:03:37,508 --> 00:03:39,344
WE ARE TALKING ABOUT THE CASILLAS, NAVARRO.
79
00:03:39,427 --> 00:03:42,138
UNDERSTAND IT.
THE NUMBER ONE PRIORITY OF THE GOVERNMENT.
80
00:03:48,978 --> 00:03:49,938
[Diana] STAY THERE.
81
00:03:55,818 --> 00:03:56,653
VITAS...
82
00:03:58,571 --> 00:03:59,614
...I WANT TO MAKE YOU A...
83
00:04:00,073 --> 00:04:01,741
...AN OPERATION TO GO SEARCH
TO MY SISTER.
84
00:04:02,116 --> 00:04:03,493
ARRIVES TODAY. DO I COUNT ON YOU?
85
00:04:03,952 --> 00:04:06,162
AH, SON OF YOUR MOTHER!
BUT THEN, DON AMADO...
86
00:04:06,245 --> 00:04:08,831
HIS MOTHER'S SON WHAT?
WHAT IS MY CARNALA, FUCKING MOTHER.
87
00:04:09,707 --> 00:04:11,000
[Diana] NOW, ARE YOU GOING TO HELP ME OR NOT?
88
00:04:11,751 --> 00:04:14,796
'IT'S GOOD, BUT...
BECAUSE I BRING A FEELING.
89
00:04:16,047 --> 00:04:19,092
I WANT TO ASK YOU FOR AN APOLOGY
BECAUSE HE COULD NOT HAVE BEEN ABLE TO AVOID WHAT HAPPENED TO HIM.
90
00:04:21,469 --> 00:04:22,804
QUIET, VITAS.
THERE IS NO ANGRY.
91
00:04:23,429 --> 00:04:25,181
POS, YES, BUT POS...
I WANTED TO EXPRESS IT TO YOU.
92
00:04:25,431 --> 00:04:26,599
NO, NO, WELL, I KNOW.
93
00:04:26,683 --> 00:04:29,769
MOREOVER, YOU TRIED TO DO EVERYTHING POSSIBLE
SO THEY WILL RESCUE ME, SO THANK YOU.
94
00:04:29,852 --> 00:04:30,687
YEAH.
95
00:04:31,020 --> 00:04:32,605
- [Diana] WELL, AND?
- IT'S TALKED, SO.
96
00:04:32,689 --> 00:04:33,523
- [Diana] IS IT TALKING?
- [Vitamins] YES.
97
00:04:33,606 --> 00:04:35,108
- IT'S ALREADY SPOKEN THEN.
- [Vitamins] 'SO GOOD.
98
00:04:35,650 --> 00:04:37,318
LET ME CALL MY SISTER
TO SEE WHERE THE FUCK IT IS.
99
00:04:37,402 --> 00:04:38,236
[Vitamins] YES.
100
00:04:39,362 --> 00:04:40,196
[ringtone]
101
00:04:42,740 --> 00:04:43,574
[Berenice] THANK YOU.
102
00:04:43,658 --> 00:04:44,492
[cell phone ring]
103
00:04:46,119 --> 00:04:47,412
[Diana]SIS, ARE YOU COMING ALREADY?
104
00:04:47,870 --> 00:04:49,330
NOW, I'M ABOUT TO BOARD.
105
00:04:49,414 --> 00:04:51,666
CAN YOU TELL ME WHAT THE FUCK
IS IT HAPPENING, DIANA?
106
00:04:51,749 --> 00:04:53,251
WELL, I JUST WANTED TO TELL YOU
107
00:04:53,334 --> 00:04:55,461
THAT THE BITCH OF YOUR HUSBAND
IT'S A DOUBLE FACE, OH?
108
00:04:56,212 --> 00:04:58,506
AND THAT IS ONE OF THE FEW THINGS
WE HAVE TO TALK WHEN I SEE YOU.
109
00:04:58,881 --> 00:05:01,718
I WISH I TOLD YOU SOMETHING LIKE THAT
FROM YOUR DEAR BELOVED.
110
00:05:01,968 --> 00:05:02,802
BUT FINALLY...
111
00:05:04,262 --> 00:05:06,264
SIS, LOOK, I JUST ASK YOU, PLEASE,
112
00:05:06,347 --> 00:05:08,433
DON'T SAY ANYTHING TO JAIME
WHAT WE TALK ABOUT, YES?
113
00:05:08,975 --> 00:05:09,934
OKAY!
114
00:05:18,151 --> 00:05:18,985
OH, PINCHE JAIME.
115
00:05:20,236 --> 00:05:21,529
PINCHE NENI DOESN'T ANSWER, GUY.
116
00:05:25,908 --> 00:05:28,036
[Jaime] FUCKING MOTHER, WOW! I NEED
LET ME FIND OUT IF THE PLANE HAS ALREADY LEFT.
117
00:05:28,119 --> 00:05:29,078
YES, YES, I FIND OUT.
118
00:05:29,329 --> 00:05:32,248
AND YOU HAVE TO PREPARE THE ENTIRE SET, YES?
FROM UZCATEGUI. THE INTERVIEW AND EVERYTHING.
119
00:05:32,332 --> 00:05:33,166
[Danny] I'M DOING IT, I'M DOING IT.
120
00:05:33,332 --> 00:05:35,835
GET SOMEONE TO GIVE ME BRUISE,
MORE MORETES,
121
00:05:35,918 --> 00:05:38,421
BECAUSE THESE ARE ALREADY GOING DOWN, OH?
122
00:05:38,796 --> 00:05:39,630
- OKAY.
- VAS.
123
00:05:42,133 --> 00:05:42,967
WOW!
124
00:05:55,938 --> 00:05:58,191
OH, YOU DRIVE ME CRAZY, DAMN!
125
00:06:02,570 --> 00:06:03,488
DID I NOT HURT YOU?
126
00:06:04,447 --> 00:06:05,364
[Ojeda] DIDN'T I HURT YOU?
127
00:06:05,740 --> 00:06:07,617
ALL THE DAMAGE I WANTED YOU TO DO TO ME.
128
00:06:08,117 --> 00:06:11,621
THESE ARE FEMALES AND NOT CHINGADERAS, EH?
129
00:06:12,914 --> 00:06:17,668
SINCE I SAW YOU I SAID
"THIS CHAMACA IS GOING TO GO VERY FAR."
130
00:06:18,377 --> 00:06:20,880
AND IF I ARRIVED OR AM I STILL MISSING?
131
00:06:22,090 --> 00:06:24,717
YES YOU ARRIVED, BUT YOU STILL MISSING.
132
00:06:25,593 --> 00:06:27,261
REMEMBER, APACHURRO,
THAT OUR LIMIT...
133
00:06:28,721 --> 00:06:30,139
...IT'S HEAVEN.
134
00:06:30,223 --> 00:06:31,766
EXACTLY, HEY.
135
00:06:34,018 --> 00:06:36,437
LISTEN TO ME, I HAVE SOME EARRINGS
WHAT TO DO, BUT...
136
00:06:36,521 --> 00:06:37,396
[Delilah] AHA?
137
00:06:37,480 --> 00:06:40,566
WHAT DO YOU THINK IF WE GO TO A BAR
138
00:06:41,234 --> 00:06:43,945
THAT IT HAS A TERRACE,
IN THE LIGHT OF THE MOON...
139
00:06:44,737 --> 00:06:48,407
AND WE FUCK SOME MARTINIS
TO RELAX, APACHURRO?
140
00:06:50,201 --> 00:06:53,121
BY THE WAY, I'M ALREADY
RELAXING THE BLADDER. NOW I COME.
141
00:06:55,414 --> 00:06:57,834
DON'T GO, APACHURRO,
LET'S GO FOR THE FIFTH, EH?
142
00:06:57,917 --> 00:06:58,751
[Delilah laughs]
143
00:07:31,159 --> 00:07:32,869
AS YOU SEE, THE PANORAMA IS VERY CLEAR.
144
00:07:32,952 --> 00:07:35,496
THAT BITCH IS ARMING
A STRUCTURE LINKED TO DRUG TRAFFICKING.
145
00:07:35,580 --> 00:07:36,414
[message ring]
146
00:07:39,083 --> 00:07:42,503
IF YOU ALLOW US ALONE.
I NEED TO TALK TO CORINA, PLEASE.
147
00:07:43,713 --> 00:07:44,547
[Colón] THANK YOU.
148
00:07:46,257 --> 00:07:48,885
[suspense music]
149
00:07:49,552 --> 00:07:50,386
WHO IS IT?
150
00:07:51,012 --> 00:07:51,846
[Columbus] DALILA.
151
00:07:52,680 --> 00:07:55,266
IT SAYS A CARGO CAME IN
FROM FENTANYL TO CANCUN.
152
00:07:55,683 --> 00:07:58,186
FROM WHAT HE HEARD,
UNDER THE PROTECTION OF THE GOVERNOR.
153
00:08:00,354 --> 00:08:01,647
JAIME ROSALES!
154
00:08:02,023 --> 00:08:05,151
FROM WHAT I SEE, HE HAS NEVER LEFT
TO BE LINKED WITH THE CAPE.
155
00:08:05,776 --> 00:08:07,820
O PIO VALDIVIA,
I DON'T KNOW WHAT THEY WANT TO CALL IT NOW.
156
00:08:09,280 --> 00:08:11,365
[Corina] GUILLERMO, THAT'S THE THEORY
OF THE BOXES.
157
00:08:11,741 --> 00:08:12,617
WHAT DO WE DO?
158
00:08:12,867 --> 00:08:14,327
ARE WE GOING DIRECTLY AGAINST HIM?
159
00:08:14,410 --> 00:08:15,244
[dramatic music]
160
00:08:25,755 --> 00:08:28,466
- [Ojeda growls]
- [Delilah laughs]
161
00:08:30,635 --> 00:08:32,261
[Ojeda] LET'S GO PA'CÁ.
YOU SEE THERE IS NO BAD FIFTH.
162
00:08:32,345 --> 00:08:33,554
COME PA'CÁ VERA!
163
00:08:33,763 --> 00:08:35,473
IT IS A VERY SERIOUS ACCUSATION
164
00:08:35,806 --> 00:08:39,060
THAT THE GOVERNOR IS INVOLVED
IN THE TRAFFICKING OF FENTANYL.
165
00:08:41,812 --> 00:08:43,272
WELL, THAT'S WHAT IT LOOKS LIKE, ISN'T IT?
166
00:08:45,191 --> 00:08:46,817
THIS WE WOULD HAVE
THAN TO TREAT IT DIRECTLY
167
00:08:46,901 --> 00:08:48,361
WITH THE SECRETARY
PUBLIC SECURITY.
168
00:08:48,903 --> 00:08:51,364
ONLY BERNARDO WILL KNOW
HOW TO HANDLE THIS SITUATION.
169
00:08:51,948 --> 00:08:53,824
[Colón] EITHER WITH THE PGE OR WITH THE NAVY.
170
00:08:56,160 --> 00:08:59,539
WHAT KEEPS US UNITED
IT IS THE EXCHANGE OF INFORMATION.
171
00:08:59,705 --> 00:09:01,249
THE TIMELY EXCHANGE...!
172
00:09:01,332 --> 00:09:05,002
LET'S SEE, LET'S SEE, LET'S SEE, A MOMENT!
ARE YOU ACCUSING ME OF HIDING INFORMATION?
173
00:09:05,461 --> 00:09:06,837
WELL, IT'S YOUR METHODOLOGY, RIGHT?
174
00:09:07,296 --> 00:09:09,257
RELEASE INFORMATION LIKE A DROPPER
175
00:09:09,465 --> 00:09:10,758
UNTIL IT CONVENIENTS YOU, RIGHT?
176
00:09:11,634 --> 00:09:14,720
COME ON, CASTLE!
WE ARE INTELLIGENCE AGENCY!
177
00:09:14,804 --> 00:09:17,890
THIS IS EXACTLY WHAT I DO
AND WHAT YOU DO!
178
00:09:17,974 --> 00:09:21,018
WE HAVE TO SAVE
VERY CAREFULLY THE INFORMATION
179
00:09:21,102 --> 00:09:22,937
WHAT WE HAVE, BECAUSE THERE IS A LOT AT STAKE
180
00:09:23,020 --> 00:09:25,940
AND YOU ARE INFESTED WITH CORRUPTION.
181
00:09:26,023 --> 00:09:26,857
[dramatic music]
182
00:09:26,941 --> 00:09:27,775
[cell phone ring]
183
00:09:35,116 --> 00:09:36,075
WHAT'S NEW, GUILLERMO?
184
00:09:40,913 --> 00:09:43,624
OKAY, KEEP ME UPDATED.
I WILL CALL YOU BACK.
185
00:09:45,710 --> 00:09:49,005
THERE ARE INDICATIONS THAT HE ENTER
A CARGO OF FENTANYL THROUGH CANCUN.
186
00:09:50,464 --> 00:09:52,925
AND IF THAT CAME IN, IT IS BY AGREEMENT
FROM THE GOVERNOR, HUH?
187
00:09:53,759 --> 00:09:57,263
JAIME ROSALES IS UP TO HIS NECK
FULL OF SHIT, THAT BITCH.
188
00:09:59,390 --> 00:10:01,142
I AM RELEASING INFORMATION
TRUE AND TIMELY.
189
00:10:10,860 --> 00:10:12,194
[cell phone ring]
190
00:10:13,362 --> 00:10:14,196
BERNARD.
191
00:10:14,280 --> 00:10:16,240
[Bernardo] THERE ARE MORE DETAILS
ABOUT JAIME ROSALES.
192
00:10:17,825 --> 00:10:20,953
IT LOOKS LIKE HE LET A BOAT IN
TO THE MOTHER OF FENTANYL EL CABRON.
193
00:10:21,037 --> 00:10:22,246
[suspense music]
194
00:10:22,330 --> 00:10:23,539
ASK HIM ABOUT THAT TOO, HUH?
195
00:10:25,583 --> 00:10:27,293
PRAY WITH THE LORD GOVERNOR!
196
00:10:27,376 --> 00:10:29,920
HE HAS MORE AND MORE DIRTY CLOTHES.
THANK YOU.
197
00:10:31,255 --> 00:10:33,466
HURRY UP, PLEASE.
I CAN'T MISS THAT FLIGHT.
198
00:10:34,717 --> 00:10:37,053
CARLA GOES RIGHT NOW
TO INTERVIEW THE GOVERNOR.
199
00:10:37,970 --> 00:10:40,097
AND DO YOU THINK THAT PRESSING IT WILL HELP ANYTHING?
200
00:10:40,806 --> 00:10:43,434
[Navarro] WHY ROSALES
HE'S A FUCKING CYNIC.
201
00:10:44,143 --> 00:10:44,977
YEAH.
202
00:10:47,897 --> 00:10:50,191
AND THE CABRON WANTS TO BE PRESIDENT, EH.
203
00:10:52,735 --> 00:10:55,237
ANYWAY,
CARLA IS GOING TO BE ABLE TO TAKE HIM OUT OF HIS BOXES.
204
00:10:56,113 --> 00:10:58,658
IT'S NOT A COINCHANCE THAT I'M GOING
AT THIS MOMENT TO INTERVIEW HIM.
205
00:10:59,992 --> 00:11:02,578
I HAVE ENOUGH ARGUMENTS
TO SUSPECT THAT IT IS...
206
00:11:03,496 --> 00:11:05,247
...LINKED WITH MAYRA'S DEATH.
207
00:11:06,248 --> 00:11:07,083
[in English] SHIT!
208
00:11:08,250 --> 00:11:10,503
[in Spanish] WELL, THAT TYPE
YOU CAN EXPECT ANYTHING.
209
00:11:11,712 --> 00:11:16,801
HEY, YOUR RELATIONSHIP WITH UZCÁTEGUI
IT HAS ALREADY GONE FROM THE PROFESSIONAL TO THE PERSONAL.
210
00:11:17,134 --> 00:11:19,595
THAT ALLIANCE CAN HELP YOU A LOT.
211
00:11:20,012 --> 00:11:20,846
[Castle] AHA.
212
00:11:21,680 --> 00:11:24,100
AT LEAST THEY ARE NOT CRIMINALS...
213
00:11:24,809 --> 00:11:25,810
LIKE YOUR LINKS.
214
00:11:34,068 --> 00:11:35,486
I'M GOING TO SEE WHAT PLAN THIS ASSHOLE HAS.
215
00:11:36,862 --> 00:11:37,696
[ringtone]
216
00:11:40,116 --> 00:11:41,617
LET'S SEE, STAR,
HERE I AM WITH MY PEOPLE.
217
00:11:42,243 --> 00:11:43,077
WHAT PLAN DO YOU BRING?
218
00:11:43,702 --> 00:11:45,496
LOOK, IT'S SO EASY.
I DESIGNED IT.
219
00:11:45,579 --> 00:11:47,540
I CAME TO THIS SITE TO CHANGE
CELL PHONE, BY...
220
00:11:48,040 --> 00:11:48,874
DON'T HANG ON ME!
221
00:11:49,208 --> 00:11:51,710
[Fridge] PERMISSION, PERMISSION, PERMISSION.
AH, SON OF A BITCH!
222
00:11:52,128 --> 00:11:52,962
[Fridge exhales]
223
00:11:54,130 --> 00:11:54,964
[suspense music]
224
00:12:10,938 --> 00:12:14,233
LOOK, THIS GUY, FRIDGE,
HE'S ALREADY ABOVE ME. ARE YOU GOING TO COME OR NOT?
225
00:12:14,733 --> 00:12:16,527
THIS WAS NOT WELL PLANNED.
WHERE ARE YOU?
226
00:12:17,153 --> 00:12:19,447
I ALREADY TOLD YOU WHERE I AM.
IN THE TELEPHONY SQUARE.
227
00:12:19,530 --> 00:12:22,575
THE ONLY THING I ASK OF YOU PLEASE
IT IS THAT YOU GET TO THE NORTH ENTRANCE.
228
00:12:22,908 --> 00:12:23,909
AND EVELINE WHEN IS HE ARRIVING?
229
00:12:24,952 --> 00:12:26,203
SHE'S ALREADY COMING HERE.
230
00:12:26,287 --> 00:12:27,621
I DON'T LET HER SAY AT ALL...
231
00:12:27,705 --> 00:12:29,331
...IN FACT, I HANGED UP ON HIM
SO THAT IT CAME FROM ONE.
232
00:12:36,380 --> 00:12:38,716
STAR, YOU SON OF A BITCH!
233
00:12:38,799 --> 00:12:40,342
I FUCKED HIM, THAT BUCKER!
234
00:12:40,426 --> 00:12:41,260
[action music]
235
00:13:15,503 --> 00:13:17,505
- [bodyguard] WE'RE ARRIVED, MA'AM.
- [Evelina] THANK YOU. YES, THANKS.
236
00:13:19,381 --> 00:13:22,468
WELL, THEN, IF YOU WANT, GO EAT
SOME TACOS OVER THERE,
237
00:13:22,551 --> 00:13:24,929
BECAUSE I'M GOING TO LATE
A LITTLE ABOUT THIS DILIGENCE.
238
00:13:25,804 --> 00:13:26,972
- YES, MA'AM.
- THANK YOU.
239
00:13:36,690 --> 00:13:38,692
STOP, STOP.
WHAT WAS THERE, SO, NEVERITA?
240
00:13:39,401 --> 00:13:40,319
I'M ALREADY ARRIVED, MIJO.
241
00:13:41,153 --> 00:13:43,822
TELL ME YOU HAVE ALREADY LOCATED THE PUPPY.
242
00:13:44,532 --> 00:13:45,783
IF YOU WANT TO CUT THEM FOR ME.
243
00:13:45,991 --> 00:13:47,409
TEAR THEM OUT OF ME, TWEET. AS HE SAID.
244
00:13:48,118 --> 00:13:49,411
THIS GUY GOT PHANTOMIZED.
245
00:13:50,246 --> 00:13:51,163
I THINK HE IS ON THE STREET.
246
00:13:51,705 --> 00:13:52,915
[Tweet]LET'S SEE, I DON'T GET THRILLED.
247
00:13:52,998 --> 00:13:55,793
I WILL NOT BE CHANCED, MY RACE.
QUIET.
248
00:13:56,418 --> 00:13:57,628
THE PUPPY RETURNS.
249
00:13:57,711 --> 00:14:00,965
IT'S A MATTER OF THROWING WELL
THE BONE, MIJO.
250
00:14:01,799 --> 00:14:02,925
COME ON, WHY...?
251
00:14:03,008 --> 00:14:03,884
[dramatic music]
252
00:14:09,848 --> 00:14:10,683
'PERATE.
253
00:14:10,933 --> 00:14:12,601
RIGHT AWAY... I'LL CALL YOU RIGHT AWAY.
254
00:14:13,143 --> 00:14:15,354
I LEFT THROUGH THE MAIN ENTRANCE.
I'LL CALL YOU RIGHT AWAY.
255
00:14:23,696 --> 00:14:24,530
[cell phone ring]
256
00:14:30,327 --> 00:14:31,161
GOOD.
257
00:14:31,245 --> 00:14:33,664
[Tweet] WHAT THEN, MY LOVE?
I WAS WORRIED ABOUT YOU.
258
00:14:33,747 --> 00:14:35,666
I WAS MISSING IT.
TELL ME, WHERE ARE YOU?
259
00:14:35,749 --> 00:14:36,584
WHAT IS HE DOING?
260
00:14:36,917 --> 00:14:37,751
EH...
261
00:14:38,794 --> 00:14:41,672
...WATCHING TV, MY LOVE. BORING HERE.
WHAT ELSE AM I GOING TO DO?
262
00:14:41,881 --> 00:14:42,923
ARE YOU WATCHING TV?
263
00:14:44,550 --> 00:14:45,384
ALREADY.
264
00:14:46,594 --> 00:14:47,636
SO WEIRD.
265
00:14:48,554 --> 00:14:50,514
BECAUSE I AM WATCHING IT
AT THIS MOMENT
266
00:14:50,598 --> 00:14:54,184
AND I DON'T KNOW IF IT'S YOU
OR A SON OF A FUCKING APPARITION.
267
00:15:09,575 --> 00:15:12,870
♪ THE ONE WHO BROUGHT THE POSTERS ♪
268
00:15:13,579 --> 00:15:16,582
♪ WAS CALLED THE LORD OF HEAVENS ♪
269
00:15:17,416 --> 00:15:20,628
♪ WHO SOWED BEFORE LEAVING SEEDS ♪
270
00:15:21,253 --> 00:15:24,423
♪ THAT FLOWER, CALLED BOXES ♪
271
00:15:25,174 --> 00:15:28,177
♪ THE POINT-BLANK KILLING ♪
272
00:15:28,969 --> 00:15:31,972
♪ IT HAS ARRIVED TO EUROPE ♪
273
00:15:32,848 --> 00:15:36,060
♪ WITH WOMEN AND WOMEN MAN ♪
274
00:15:36,727 --> 00:15:39,813
♪ AND EVEN ONE OR OTHER GREEK ♪
275
00:15:40,397 --> 00:15:43,651
♪ THE BOXES ARE A MESS ♪
276
00:15:44,401 --> 00:15:47,488
♪ BUT THEY PUT UP A POSTER THAT ARRESTS THEM ♪
277
00:15:48,280 --> 00:15:51,200
♪ IT WAS AURELIO AND NOW HE IS LOVED ♪
278
00:15:52,034 --> 00:15:56,080
♪ THE HATED LORDS OF THE SKY ♪
279
00:16:01,794 --> 00:16:02,628
[Evelina snorts] MY LOVE...
280
00:16:03,921 --> 00:16:07,549
IT COULD NOT BE LOCKED UP
AT THE HOUSE ALL DAY AND WELL...
281
00:16:08,133 --> 00:16:10,052
...I WENT OUT TO GET THE AIR AND...
282
00:16:10,302 --> 00:16:12,972
...TO BUY HIM A SURPRISE, MY LOVE.
THAT JUST RUINED.
283
00:16:19,645 --> 00:16:21,271
[Tweet]EVELINA,
TELL ME THE TRUTH!
284
00:16:21,772 --> 00:16:24,566
YOU CAME TO MEET HIM...
THE CROSS OF STAR, RIGHT?
285
00:16:24,942 --> 00:16:25,776
[Evelina] WHAT?
286
00:16:26,026 --> 00:16:27,945
[Tweet] TELL ME THE TRUTH,
DAMN BITCH!
287
00:16:30,072 --> 00:16:30,906
[Fridge] MRS. EVELINA!
288
00:16:32,199 --> 00:16:33,075
[Evelina] WHAT ARE YOU DOING HERE?
289
00:16:33,742 --> 00:16:36,036
THERE IS THE BLACK CAT OF THE CAPE
UP THERE. HAVE YOU ALREADY SEEN IT?
290
00:16:36,120 --> 00:16:37,037
I'M COMING, I'M COMING.
291
00:16:38,038 --> 00:16:39,498
[Beloved] DO YOU WATER WITH YOUR DAUGHTER
FROM EL RAYO LÓPEZ, EH?
292
00:16:40,332 --> 00:16:41,792
SKIPPER, THERE'S THE CAPE.
293
00:16:42,126 --> 00:16:44,712
THE BOXES!
THE BOXES FELL OUT, BOAT!
294
00:16:44,795 --> 00:16:46,797
THE PACHANGA IS AROUND, SON OF A BITCH!
295
00:16:46,922 --> 00:16:48,716
COME ON, FUCK!
COME SEE!
296
00:16:48,799 --> 00:16:49,717
[action music]
297
00:16:51,719 --> 00:16:52,553
LET'S HIT IT, BITTERS!
298
00:16:52,636 --> 00:16:53,470
PRAY HIM!
299
00:16:58,684 --> 00:16:59,643
[Ismael] FUCK IT, FUCK IT!
300
00:17:02,187 --> 00:17:03,021
[action music continues]
301
00:17:04,773 --> 00:17:05,607
[Fridge] DAMN!
302
00:17:06,024 --> 00:17:09,319
RUN I'LL COVER YOU, SIR!
RUN, RUN, LORD!
303
00:17:09,403 --> 00:17:10,362
[bustle]
304
00:17:10,446 --> 00:17:11,780
[Shrew] HE'S GOING TO HIT EVELINA.
305
00:17:11,864 --> 00:17:13,574
WHO SENDS IT
TO BE IN THE WRONG PLACE?
306
00:17:14,324 --> 00:17:16,118
[screams]
307
00:17:16,618 --> 00:17:17,911
NO! NO, PLEASE NO!
308
00:17:20,831 --> 00:17:21,749
EVELINA!
309
00:17:21,832 --> 00:17:23,125
[Star sobs]
310
00:17:26,253 --> 00:17:27,629
[screams]
311
00:17:30,340 --> 00:17:31,258
[Shrew] SKIPPER!
312
00:17:33,761 --> 00:17:35,721
[Beloved] COME ON, EVELINA!
ISMA!
313
00:17:36,555 --> 00:17:38,182
[Skinny] HOLD ON, HOLD ON!
314
00:17:40,434 --> 00:17:41,477
SON AND BITCH!
315
00:17:41,560 --> 00:17:43,103
[Shrew] SKIPPER, HIS WIFE.
PATTERN!
316
00:17:43,187 --> 00:17:44,021
ISMA!
317
00:17:45,481 --> 00:17:46,440
[Ismael] TROUT, TROUT, TROUT!
318
00:17:46,940 --> 00:17:47,983
HE HAS IT, SKINNY HAS IT.
319
00:17:48,108 --> 00:17:48,942
[Beloved complains]
320
00:17:49,651 --> 00:17:50,486
[Ismael] YES, HE ALREADY HAS IT.
321
00:17:52,321 --> 00:17:53,238
[Beloved] BE CAREFUL, BITCH!
322
00:17:53,322 --> 00:17:54,448
[Shrew] THEY KILLED THE FRIDGE, BOAT.
323
00:17:54,823 --> 00:17:55,657
[Beloved] LET'S GO!
324
00:18:01,038 --> 00:18:01,872
[action music]
325
00:18:06,710 --> 00:18:07,544
PICK IT UP.
326
00:18:08,337 --> 00:18:09,379
HE'S STILL ALIVE, DAMN.
327
00:18:11,965 --> 00:18:12,800
SON OF A BITCH!
328
00:18:13,967 --> 00:18:15,177
HE GAVE EVELINE, SKIPPER.
329
00:18:20,432 --> 00:18:21,266
OH!
330
00:18:22,184 --> 00:18:23,143
DID YOU SEE WHAT YOU DID, YOU BITCH?
331
00:18:23,227 --> 00:18:25,145
LOOK, I DID NOTHING.
I SWEAR TO GOD.
332
00:18:25,229 --> 00:18:27,272
PLEASE TELL ME IT'S OKAY.
TELL ME IT'S OKAY...
333
00:18:27,356 --> 00:18:28,190
THAT SHE IS JUST HURT.
334
00:18:28,607 --> 00:18:29,817
[Amado]IT'S FUCKING FUCKING, YOU ASSHOLE!
335
00:18:30,359 --> 00:18:32,194
HIDE.
I WILL MARK YOU AGAIN.
336
00:18:32,611 --> 00:18:33,445
[action music]
337
00:18:36,240 --> 00:18:37,074
HOME! FAST!
338
00:18:41,537 --> 00:18:42,538
- [Diana] VITAS.
- HEY?
339
00:18:43,038 --> 00:18:44,498
- LET'S GO TO THE AIRPORT.
- YEAH.
340
00:18:45,457 --> 00:18:47,543
THEY BRING AN INJURED WOMAN
AND I DON'T KNOW IF THERE ARE MORE INJURIES.
341
00:18:47,626 --> 00:18:49,920
THAT? WHAT HAPPENED? BUT...
ARE YOU ALL OKAY?
342
00:18:50,462 --> 00:18:52,214
- IS LOVED OKAY?
- BELOVED IT'S WELL.
343
00:18:52,798 --> 00:18:55,134
ISMAEL CALLED ME ALL AGITATED.
I NEED YOU TO HELP ME.
344
00:18:55,384 --> 00:18:57,052
- [Diana sighs]
- LET'S GO.
345
00:18:58,428 --> 00:18:59,680
FUCKING MOTHER!
346
00:19:00,472 --> 00:19:02,683
- BUT WHAT HAPPENS?
- NO, I'VE ALREADY REACHED YOU.
347
00:19:02,975 --> 00:19:04,143
- HERE WE GO, THERE WE GO.
- I'M GETTING TO YOU. HERE WE GO.
348
00:19:05,102 --> 00:19:07,020
- [Vitamins] AND THEN?
- NO, POS, I HAVE TO HELP LAURITA.
349
00:19:07,271 --> 00:19:09,398
- AND WHAT, ME...?
- LOOK, MY SISTER IS STILL FLYING.
350
00:19:09,481 --> 00:19:12,568
SO... I WILL NOTIFY YOU AS SOON AS IT ARRIVES
AND WE'RE GOING TO THE AIRPORT, OKAY?
351
00:19:13,026 --> 00:19:13,861
ÓRALE.
352
00:19:19,741 --> 00:19:21,034
[Rutila] WHAT QUALITY
IS IT THE GOODS?
353
00:19:22,411 --> 00:19:24,538
- DID YOU TRY IT?
- NO. I DO NOT CONSUME.
354
00:19:25,289 --> 00:19:27,875
CONSUMPTION IS FOR ASSHOLES.
LET OTHERS TRY IT.
355
00:19:28,834 --> 00:19:30,460
THE DRUG IS THE DEVIL'S DANDRUFF.
356
00:19:32,004 --> 00:19:33,714
ISMAEL WARNED THAT THEY BRING
TO SOMEONE HURT.
357
00:19:34,089 --> 00:19:36,550
I HAVE TO PREPARE EVERYTHING
TO BE ABLE TO ATTEND YOU. COME ON?
358
00:19:36,633 --> 00:19:37,676
[Rutila] WE HELP YOU.
359
00:19:49,062 --> 00:19:51,064
NO, YOU ARE NOT GOING TO WASTE THAT SO FINE.
360
00:19:51,523 --> 00:19:52,983
LET'S SAY I'M NOT PARTYING TODAY.
361
00:19:55,152 --> 00:19:58,614
I'M GOING TO MAKE YOU A PROPOSAL,
SO CLEAR AND CONCISE, JUST AS WE LIKE IT.
362
00:19:59,740 --> 00:20:00,657
PIO VALDIVIA.
363
00:20:01,825 --> 00:20:02,659
GIVE IT TO ME...
364
00:20:02,743 --> 00:20:03,577
[dramatic music]
365
00:20:04,161 --> 00:20:05,495
...AND COUNT ON ME FOR WHATEVER YOU WANT.
366
00:20:06,163 --> 00:20:06,997
[Javi] HOW DO YOU SEE HER?
367
00:20:09,833 --> 00:20:11,418
THAT EVERYTHING CAN BE NEGOTIATED.
368
00:20:11,501 --> 00:20:14,338
OH, YES. THAT'S WHAT I'M ABOUT
COMPLETELY SAFE.
369
00:20:16,215 --> 00:20:17,758
YOU DELIVER ME TO PÍO VALDIVIA
370
00:20:18,425 --> 00:20:20,177
AND IN EXCHANGE I GIVE YOU
TO THE CORONEL.
371
00:20:29,728 --> 00:20:31,813
YOU LIKE YOU'RE NOT GOING TO LEAVE ME
WITH NOTHING, BROTHER.
372
00:20:32,856 --> 00:20:34,066
HE IS NOT GOING TO DELIVER ME TO PIO.
373
00:20:34,566 --> 00:20:36,735
SO LET'S LET
THE THING ABOUT THE RONCITO FOR ANOTHER DAY.
374
00:20:37,945 --> 00:20:40,155
AND LET'S STOP TALKING SO MUCH
FAGGY, DON'T YOU THINK?
375
00:20:40,489 --> 00:20:41,990
LOOK AT WHAT YOU ARE ASKING OF ME
376
00:20:42,074 --> 00:20:44,284
LEAVE THE HEN
OF THE GOLDEN EGGS.
377
00:20:46,119 --> 00:20:48,163
AH, DOES THIS SEE IT?
378
00:20:50,040 --> 00:20:51,333
DO YOU KNOW HE WAS TESTING IT?
379
00:20:52,709 --> 00:20:54,962
AND YOU THE ONLY THING
WHAT INTERESTS YOU IS AMBITION, RIGHT?
380
00:20:56,046 --> 00:20:57,756
I AM INTERESTED IN BUSINESS LIKE YOU.
381
00:20:58,173 --> 00:21:00,384
YOU AND I DON'T SHIT LIKE YOU.
382
00:21:01,885 --> 00:21:03,720
IF YOU ARE INTERESTED
CHARGE THE CORONEL
383
00:21:03,804 --> 00:21:05,138
THAT HAVE LEFT HIM LIKE AN ASSHOLE,
384
00:21:05,222 --> 00:21:06,556
I WOULD HAVE ACCEPTED MY PROPOSAL.
385
00:21:08,517 --> 00:21:09,685
YOU ARE EQUAL TO OTHERS.
386
00:21:10,352 --> 00:21:12,521
POWER FOR POWER, TICKET FOR TICKET.
387
00:21:14,064 --> 00:21:17,693
DON'T COUNT ON ME, BROTHER.
I'M GOING TO BE CLEAR TO YOU.
388
00:21:18,902 --> 00:21:22,072
IF I FIND OUT
THAT THE CORONELA WALKS THERE,
389
00:21:22,155 --> 00:21:24,533
I'M GOING TO TELL HER THAT YOU ARE LOOKING FOR HER
TO CHARGE YOU WHAT YOU OWE.
390
00:21:25,409 --> 00:21:28,120
ARE YOU SURE THAT YOU WANT TO FINISH
THIS CONVERSATION LIKE THIS?
391
00:21:28,704 --> 00:21:29,997
WE FINISHED IT A LONG TIME AGO.
392
00:21:36,753 --> 00:21:37,587
[Javi chifla]
393
00:21:51,601 --> 00:21:52,853
TAKE THIS FAST.
394
00:21:53,687 --> 00:21:54,521
[Beloved] COME!
395
00:21:55,188 --> 00:21:56,189
- THAT CHINGADERA!
- [Laura] ARE YOU OKAY?
396
00:21:56,273 --> 00:21:57,649
- [Diana] ARE YOU OKAY?
- CAREFULLY, CAREFULLY.
397
00:21:57,733 --> 00:21:58,608
BE CAREFUL, BE CAREFUL.
398
00:21:59,359 --> 00:22:00,610
- MY LOVE, ARE YOU OKAY?
- YES I'M FINE.
399
00:22:00,694 --> 00:22:02,529
- CHECK IT, CHECK IT.
- WHAT THE FUCK HAPPENED?
400
00:22:02,612 --> 00:22:04,614
OH, COUSIN... CHECK IT OUT, LAURA,
CHECK IT OUT.
401
00:22:04,906 --> 00:22:05,949
[Diana] FUCKING MOTHER.
DON'T MAME.
402
00:22:06,616 --> 00:22:08,910
- [cell phone ring]
- SKINNY, PASS IT TO ME.
403
00:22:15,083 --> 00:22:17,586
[Tweet] YOU HAVE TO CALL
TO THE SURGEON. THERE, QUICK!
404
00:22:17,669 --> 00:22:18,545
FAST! THERE!
405
00:22:19,338 --> 00:22:22,966
EVELINA, TELL ME IT'S OKAY, MIJA!
406
00:22:23,050 --> 00:22:24,259
WHERE IS?
407
00:22:25,010 --> 00:22:27,429
I'M THROWING HIS HEAD OFF
OF RAGE!
408
00:22:27,512 --> 00:22:29,014
TELL ME IT'S OKAY!
409
00:22:29,598 --> 00:22:31,099
HOW IS IT GOING TO BE WELL,
SON OF THE CHINGADA?
410
00:22:31,850 --> 00:22:33,518
IF YOU GOT A FUCK IN HIM
OF SHOTS.
411
00:22:34,352 --> 00:22:36,021
AND MORE, ABOVE, BITCH,
YOU LEFT HER ALONE.
412
00:22:36,855 --> 00:22:37,689
WHAT A LITTLE MOTHER.
413
00:22:37,773 --> 00:22:39,900
[Shrew] WHAT WAS THERE?
WHAT ABOUT HEALING, BROTHER?
414
00:22:41,359 --> 00:22:44,237
AND WHAT DID YOU WANT ME TO DO,
BIG SON OF A BITCH?
415
00:22:45,238 --> 00:22:49,117
THEY WERE BURNING ME TO THE LEAD!
WHAT DID YOU WANT ME TO DO?
416
00:22:50,452 --> 00:22:51,828
PASS ME TO MY WIFE!
417
00:22:52,287 --> 00:22:54,372
NO, YOUR WIFE IS GOING TO STAY WITH YOU
ON CONSCIENCE, BITCH.
418
00:22:54,873 --> 00:22:55,957
LIKE ANOTHER DEAD.
419
00:22:56,833 --> 00:22:58,043
BUT IT'S GOING TO BE YOUR TURN.
420
00:22:59,252 --> 00:23:02,589
ALL THIS IS HAPPENING
IT'S YOUR FAULT, YOU SON OF THE CHINGADA.
421
00:23:05,258 --> 00:23:06,593
SON OF A BITCH!
422
00:23:10,430 --> 00:23:11,765
SON OF A BITCH!
423
00:23:13,141 --> 00:23:14,267
BITCH!
424
00:23:14,601 --> 00:23:15,977
[Shrew] BREATHE, BROTHER, BREATHE.
425
00:23:19,564 --> 00:23:20,690
SON OF A BITCH!
426
00:23:23,777 --> 00:23:24,694
WE HAVE...
427
00:23:27,197 --> 00:23:28,031
BITCH!
428
00:23:30,826 --> 00:23:31,660
[Pío sobs]
429
00:23:42,587 --> 00:23:43,421
SON OF A BITCH.
430
00:23:44,047 --> 00:23:44,881
[dramatic music]
431
00:24:06,862 --> 00:24:08,405
WHAT ARE YOU LOOKING AT ME, FAGS?
432
00:24:09,114 --> 00:24:10,323
WHAT ARE YOU LOOKING AT ME, FAGS?
433
00:24:10,949 --> 00:24:12,200
LET'S SEE, WHAT ARE THEY LOOKING AT ME?
434
00:24:14,953 --> 00:24:16,454
[Shrew] THE BLACK MAN DIED, BOAT.
435
00:24:17,956 --> 00:24:18,832
THE FRIDGE IS GONE.
436
00:24:31,678 --> 00:24:33,471
[Tweet] AH, SON OF A BITCH!
437
00:24:35,390 --> 00:24:36,224
[dramatic music continues]
438
00:24:40,520 --> 00:24:42,105
[Tweet] SON OF A BITCH!
439
00:24:51,364 --> 00:24:52,199
SON OF A BITCH!
440
00:24:55,952 --> 00:24:56,786
[Pío cries]
441
00:25:09,007 --> 00:25:13,136
[Castle] AN ALLIANCE OF TRUE,
FIRM, COMMITTED.
442
00:25:13,386 --> 00:25:15,347
THAT'S WHAT HE'S GOING TO GIVE US
STRENGTH TO US
443
00:25:15,430 --> 00:25:18,642
TO PREVENT THOSE SONS OF BITCHES
THEY CLIMB UP OUR NECKS.
444
00:25:18,725 --> 00:25:19,809
[in English] AH, PLEASE.
445
00:25:20,143 --> 00:25:20,977
[in Spanish] CASTILLO,
446
00:25:21,228 --> 00:25:23,813
HAVE YOU NOT REALIZED
THAT FOR A LONG TIME
447
00:25:23,897 --> 00:25:25,398
DO YOU HAVE THEM MORE THAN CLIMBED?
448
00:25:25,482 --> 00:25:27,317
AH, I'M NOT IN THE MOOD
FOR YOUR IRONIES, JOE.
449
00:25:27,400 --> 00:25:29,069
THEY ARE NOT IRONIES.
450
00:25:29,236 --> 00:25:31,238
I THINK THAT IS THE PROBLEM
OF YOU.
451
00:25:31,905 --> 00:25:34,950
THEY DECLARE WAR,
THEY ARE LOSING HER BY A LOT
452
00:25:35,033 --> 00:25:36,117
AND THEY HAVE NOT EVEN REALIZED THEM.
453
00:25:36,201 --> 00:25:38,578
A WAR THAT WAS SPONSORED
FOR YOU GRINGOS
454
00:25:38,662 --> 00:25:40,830
THEY DON'T KNOW WHAT TO DO WITH SO MUCH
ADDICTED IS YOUR COUNTRY, HUH?
455
00:25:41,248 --> 00:25:42,457
THAT'S THE PROBLEM!
456
00:25:42,540 --> 00:25:44,376
WHAT YOU FOLLOW
STAYING AWAY
457
00:25:44,876 --> 00:25:47,545
IN A MESS FROM WHICH THEY FOLLOW
FORMING AN ACTIVE PART.
458
00:25:48,171 --> 00:25:51,383
MY GOD, ONLY THAT WAS MISSING.
THAT YOU AND I WOULD FIGHT.
459
00:25:51,675 --> 00:25:53,051
IS THAT WHAT YOU WANT, CASTILLO?
460
00:25:53,718 --> 00:25:56,179
THIS IS YOUR COUNTRY, IT IS YOUR TERRITORY
461
00:25:56,263 --> 00:25:59,266
AND I AM THE BEST REINFORCEMENT
WHAT YOU COULD HAVE IN THIS WAR.
462
00:25:59,849 --> 00:26:02,352
THEN SHOW ME
YOU'RE ON MY SIDE, BABY.
463
00:26:02,435 --> 00:26:03,603
AND YOU FROM MINE.
464
00:26:04,104 --> 00:26:06,273
WE ARE BOTH AFFECTED BY THE SAME THING.
465
00:26:06,356 --> 00:26:08,525
WE BOTH WANT
LET ALL THIS GARBAGE CHANGE.
466
00:26:08,608 --> 00:26:10,443
BUT FOR YOU THE END JUSTIFIES THE MEANS.
467
00:26:10,527 --> 00:26:11,861
[in English] GO, CASTLE!
468
00:26:12,445 --> 00:26:13,405
[in Spanish] FOR YOU TOO.
469
00:26:13,947 --> 00:26:16,241
YOU'RE GOING TO HAVE TO TAKE PART OF THE OPTION
470
00:26:16,324 --> 00:26:18,034
MAY IT GIVE YOU BETTER RESULTS.
471
00:26:32,340 --> 00:26:34,301
AND I'M GOING TO ALLOW ME TO TELL YOU
TO CARLA UZCATEGUI
472
00:26:34,384 --> 00:26:35,385
THAT YOU HAVE THIS WOMAN HERE.
473
00:26:42,225 --> 00:26:43,852
[Jaime] CARLA, CARLA.
WELCOME!
474
00:26:44,311 --> 00:26:45,145
AH, WOW.
475
00:26:46,479 --> 00:26:48,481
- WELCOME, WELCOME. HOW ARE YOU DOING?
- THANK YOU.
476
00:26:48,565 --> 00:26:52,485
NO, ON THE CONTRARY. THANK YOU FOR...
THE RECEIPT, LORD GOVERNOR.
477
00:26:52,861 --> 00:26:54,112
[Danny] THE MICROPHONE IS READY.
478
00:26:54,195 --> 00:26:55,572
SHOULD I OFFER YOU SOMETHING TO DRINK?
479
00:26:55,655 --> 00:26:59,200
WATER, WHISKEY, TEQUILA,
RUM, WINE, BEER?
480
00:26:59,284 --> 00:27:01,286
- WHAT DO YOU LIKE? MEZCAL?
- WATER IS FINE. THANK YOU.
481
00:27:01,369 --> 00:27:02,412
- [Jaime] WATER, PLEASE.
- [Danny] RIGHT AWAY.
482
00:27:04,122 --> 00:27:04,956
SIT DOWN.
483
00:27:05,749 --> 00:27:07,334
[Jaime] OH, OW!
484
00:27:07,876 --> 00:27:10,712
SORRY, BUT...
I AM STILL HURT. BUT...
485
00:27:11,671 --> 00:27:12,839
DO YOU KNOW WHAT HURTS ME THE MOST, CARLA?
486
00:27:14,466 --> 00:27:15,300
THE SOUL.
487
00:27:16,217 --> 00:27:18,011
I WILL NEVER BE ABLE TO FORGIVE MYSELF...
488
00:27:19,846 --> 00:27:21,848
...NOT HAVE SAVED THE LIFE
FROM THE GOVERNOR.
489
00:27:25,352 --> 00:27:26,686
THIS IS THE TOPIC WE ARE ABOUT
LET'S TALK, RIGHT?
490
00:27:27,187 --> 00:27:28,229
AMONG OTHER THINGS.
491
00:27:28,938 --> 00:27:31,733
IF YOU LIKE, WE CAN START THE INTERVIEW.
THE CAMERA IS ALREADY RECORDING.
492
00:27:31,816 --> 00:27:32,650
[Jaime] OH.
493
00:27:33,234 --> 00:27:34,069
GREAT.
494
00:27:35,362 --> 00:27:37,364
[Carla] JUST DETERMINED
WHAT MAYRA RODRÍGUEZ,
495
00:27:37,447 --> 00:27:39,324
THE FORMER SECRETARY
FROM FORMER PRESIDENT OMAR TERÁN,
496
00:27:39,407 --> 00:27:40,617
SHE WAS KILLED IN "LOS PINOS".
497
00:27:41,659 --> 00:27:45,330
DO YOU BELIEVE THAT TERÁN HAS BEEN ABLE TO
BEING INVOLVED IN THAT CRIME?
498
00:27:45,580 --> 00:27:46,414
[suspense music]
499
00:28:10,021 --> 00:28:11,022
I DON'T THINK HE WILL FREE HER.
500
00:28:13,066 --> 00:28:15,318
I DID EVERYTHING I COULD,
BUT HE LOST A LOT OF BLOOD.
501
00:28:19,823 --> 00:28:20,657
WHAT HAPPENED?
502
00:28:22,242 --> 00:28:23,076
NO.
503
00:28:29,207 --> 00:28:30,041
EVELINE...
504
00:28:31,584 --> 00:28:32,419
DO YOU HEAR ME?
505
00:28:35,505 --> 00:28:36,423
MY SON...
506
00:28:37,173 --> 00:28:38,091
DO YOU WANT TO SEE YOUR SON?
507
00:28:38,758 --> 00:28:39,801
- [Evelina] BRING...
- WHERE IS IT?
508
00:28:40,301 --> 00:28:41,469
BRING ME MY SON.
509
00:28:42,178 --> 00:28:44,764
WHERE IS?
TELL ME WHERE IT IS AND I'LL BRING IT TO YOU.
510
00:28:46,516 --> 00:28:47,600
[Beloved] MAKE AN EFFORT.
511
00:28:48,977 --> 00:28:49,853
TELL ME WHERE IT IS.
512
00:28:53,189 --> 00:28:55,608
TELL ME, EVELINE, OH?
WHERE IS?
513
00:28:57,277 --> 00:28:59,195
MY SON... BRING HIM TO ME.
514
00:29:00,697 --> 00:29:01,531
WHERE?
515
00:29:02,949 --> 00:29:03,783
IT IS IN...
516
00:29:05,201 --> 00:29:06,286
IN A HOUSE...
517
00:29:08,037 --> 00:29:08,872
HOUSE...
518
00:29:09,664 --> 00:29:10,498
...FROM NO ONE.
519
00:29:13,501 --> 00:29:14,794
[Beloved] QUIET, QUIET,
QUIET.
520
00:29:16,379 --> 00:29:17,213
MAKE AN EFFORT.
521
00:29:19,007 --> 00:29:19,841
WHAT HOUSE?
522
00:29:21,092 --> 00:29:21,926
[Ismael] DO YOU REMEMBER THE AREA?
523
00:29:25,764 --> 00:29:26,639
A FAIR...
524
00:29:28,683 --> 00:29:29,517
A FAIR.
525
00:29:31,936 --> 00:29:32,771
[Ismael] GRAINS!
526
00:29:33,688 --> 00:29:36,524
- BRING ME MY SON, PLEASE.
- YES, QUIET. I'M GOING TO BRING IT.
527
00:29:37,025 --> 00:29:40,570
I'M GOING TO BRING IT,
BUT STAY HERE, HUH?
528
00:29:40,653 --> 00:29:41,654
[Beloved] THINK OF HIM.
529
00:29:43,573 --> 00:29:44,866
THINK ABOUT YOUR SON, OKAY?
530
00:29:54,375 --> 00:29:55,210
[rattle]
531
00:30:09,265 --> 00:30:11,476
HOW DID OUR FRIDGE GO TO DIE?
532
00:30:16,314 --> 00:30:17,941
HOW DID I KILL EVELINE?
533
00:30:19,359 --> 00:30:20,902
I AM CRAZY, SON OF A BITCH.
534
00:30:24,113 --> 00:30:25,615
LIKE A BALL OF DOGS...
535
00:30:26,950 --> 00:30:28,993
THESE BEAT US
SONS OF BITCHES!
536
00:30:31,830 --> 00:30:34,123
THEY BEAT US AGAIN
THESE SONS OF BITCHES.
537
00:30:37,752 --> 00:30:40,171
I... I UNDERSTAND IT, BOSS.
538
00:30:43,132 --> 00:30:44,509
I UNDERSTAND THE EMPUTE, BUT...
539
00:30:45,593 --> 00:30:46,886
...ON THE OTHER HAND WE ARE...
540
00:30:48,763 --> 00:30:50,390
...STAFF SHORTS.
541
00:30:50,682 --> 00:30:52,183
WE NO LONGER HAVE MEN.
542
00:30:57,647 --> 00:30:59,607
ARE YOU DOING TO ME
A CLAIM OR WHAT?
543
00:31:00,108 --> 00:31:01,734
NO, NO, NO, PATTERN, NO.
544
00:31:02,360 --> 00:31:04,946
ARE YOU RIDING ME
A UNION NOW OR WHAT?
545
00:31:05,947 --> 00:31:06,948
OH, FAGGY?
546
00:31:10,201 --> 00:31:13,538
NOW WHAT WE HAVE
IT'S WHAT TO PUT EGGS INTO THIS.
547
00:31:13,830 --> 00:31:15,039
[Tweet] EGGS, DAMN!
548
00:31:15,790 --> 00:31:16,875
PUT THE FUCK IN IT!
549
00:31:17,625 --> 00:31:19,919
DID YOU HEAR? TAKE OUT THE CHASTE,
SON OF A BITCH!
550
00:31:21,838 --> 00:31:24,465
NOW TO MULTIPLY US BY A THOUSAND,
DO YOU HEAR, BITCH?
551
00:31:38,146 --> 00:31:41,816
THE SON OF A BITCH OF THE STAR LAWYER
HE DISAPPEARED.
552
00:31:43,568 --> 00:31:44,903
WHY WOULD HE HAVE DISAPPEARED?
553
00:31:48,656 --> 00:31:51,492
HOW WOULD THE BOXES HAVE KNOWN
WHAT WERE THERE, SKIPPER?
554
00:31:53,661 --> 00:31:54,913
GOOD QUESTION, MIJO.
555
00:31:56,247 --> 00:31:57,749
GOOD QUESTION. AT THE BEST...
556
00:32:01,085 --> 00:32:02,003
IT WAS EVELINE...
557
00:32:04,047 --> 00:32:04,881
STAR...
558
00:32:07,383 --> 00:32:08,593
SUDDENLY FRIDGE...
559
00:32:11,929 --> 00:32:12,764
Or YOU.
560
00:32:16,976 --> 00:32:19,646
NOW I'M DOUBTING
FROM THE ENTIRE SON OF A FUCKING WORLD.
561
00:32:24,067 --> 00:32:25,318
YOU KNOW WHAT, FRIDGE?
562
00:32:25,902 --> 00:32:26,736
I SWEAR TO YOU...
563
00:32:28,571 --> 00:32:31,824
I SWEAR TO YOU, FAGGIE,
I'M GOING TO FIND THE TOAD...
564
00:32:35,620 --> 00:32:36,955
I'M GOING TO OPEN IT HERE.
565
00:32:37,413 --> 00:32:40,750
I'M GOING TO OPEN IT AND I'M GOING TO TAKE OUT MY TONGUE.
566
00:32:42,627 --> 00:32:44,462
AND I'M GOING TO PUT IT ON YOU LIKE A TIE.
567
00:32:46,547 --> 00:32:47,882
I SWEAR, FRIDGE.
568
00:33:10,780 --> 00:33:11,614
[cell phone ring]
569
00:33:17,370 --> 00:33:18,538
MY LIFE, ARE YOU ALONE?
570
00:33:18,746 --> 00:33:21,040
YEAH. OF COURSE I'M ALONE.
571
00:33:21,290 --> 00:33:23,418
I mean, REALLY, JOACO?
I mean, DON'T MAME.
572
00:33:23,793 --> 00:33:26,379
YOU HAVE ME SICK OF NERVES.
WHERE ARE YOU?
573
00:33:27,255 --> 00:33:30,007
I WILL BE THERE IN TEN MINUTES,
BUT I'M NOT GOING TO GET OFF, EVEN CRAZY!
574
00:33:30,091 --> 00:33:31,509
THAT'S FULL OF PIO'S GUARUROS.
575
00:33:31,592 --> 00:33:32,677
AT ANY MOMENT THEY DO SOMETHING TO ME.
576
00:33:32,760 --> 00:33:34,470
CAN YOU PLEASE
STOP MAKING YOUR CHINGADERAS?
577
00:33:34,554 --> 00:33:36,180
I mean, YOU DON'T KNOW HOW DIFFICULT IT IS TO KEEP
578
00:33:36,264 --> 00:33:38,099
TO THIS QUIET MAN.
JOACO, STOP IT NOW.
579
00:33:38,182 --> 00:33:40,977
NO AND AFTER WHAT YOU JUST WEIGHED
THIS MAN DOESN'T HAPPEN TO ME,
580
00:33:41,060 --> 00:33:43,271
THIS MAN IS NOT GOING TO FORGIVE ME.
WE HAVE TO LEAVE THE COUNTRY.
581
00:33:44,147 --> 00:33:46,274
I mean... LET'S SEE, LET'S SEE, LET'S SEE.
582
00:33:46,357 --> 00:33:47,900
HOW IS THIS THAT WE HAVE?
WHAT TO LEAVE THE COUNTRY?
583
00:33:48,359 --> 00:33:50,862
LOOK, LISTEN TO ME.
FOCUS, PLEASE.
584
00:33:50,945 --> 00:33:53,531
LOOK FOR THE PHONE IN MY PHONE
OF THE GOVERNOR OF QUINTANA ROO.
585
00:33:55,116 --> 00:33:56,826
YES YOU ARE REALIZED
WHAT ARE WE LEAVING
586
00:33:56,909 --> 00:33:59,871
ALL OUR LIFE IN HANDS
FROM A STRANGER, RIGHT?
587
00:34:00,288 --> 00:34:01,748
LOOK, HE'S MORE FUCKED UP
WHAT WE
588
00:34:01,831 --> 00:34:03,916
AND YOU HAVE TO HELP US.
I NEED YOU TO HOLD A PASSPORT,
589
00:34:04,000 --> 00:34:06,127
SILVER, SOME CHANGES OF CLOTHES.
590
00:34:06,210 --> 00:34:07,754
SOMETHING SIMPLE TO TRAVEL FAST.
591
00:34:08,212 --> 00:34:09,464
AND IF WE GET OUT OF HERE,
592
00:34:09,547 --> 00:34:12,008
IT'S BECAUSE IT'S GOING TO HELP US
THE GOVERNOR OF QUINTANA ROO.
593
00:34:12,091 --> 00:34:12,925
IF NOT, WE ARE FRED.
594
00:34:16,929 --> 00:34:20,600
THE FINDING OF THE REMAINS
FROM THE SECRETARY,
595
00:34:21,058 --> 00:34:23,519
FORMER SECRETARY
FROM PRESIDENT OMAR TERÁN,
596
00:34:25,063 --> 00:34:29,442
WELL IT HAS BEEN A MEETING
HEARTBREAKING, RIGHT?
597
00:34:30,067 --> 00:34:33,154
AND, CARLA, THIS DOESN'T MAKE ME ANY MORE
WHAT TO REFLECT
598
00:34:33,780 --> 00:34:36,324
ABOUT WHAT WORLD WE ARE LIVING IN.
599
00:34:36,699 --> 00:34:38,242
WHERE WAS HUMANITY?
600
00:34:39,660 --> 00:34:42,455
LORD GOVERNOR,
I ASKED YOU A SPECIFIC QUESTION
601
00:34:42,538 --> 00:34:44,123
WHAT YOU
HE IS NOT ANSWERING ME.
602
00:34:44,916 --> 00:34:48,461
DO YOU BELIEVE THAT OMAR TERÁN HAS BEEN ABLE TO
BE INVOLVED
603
00:34:48,544 --> 00:34:50,171
IN THE MURDER OF MAYRA RODRÍGUEZ?
604
00:34:50,755 --> 00:34:52,632
I CAN'T BELIEVE ANYTHING, CARLA.
605
00:34:53,174 --> 00:34:54,592
DO YOU UNDERSTAND ME?
I CAN'T BELIEVE ANYTHING
606
00:34:54,675 --> 00:34:56,469
IF I DON'T HAVE
THE CONCLUSIVE EVIDENCE IN HAND.
607
00:34:56,552 --> 00:34:58,763
WELL, FOR ALL THE PEOPLE
IT IS VERY KNOWN
608
00:34:58,846 --> 00:35:01,974
THAT YOU HAVE A RELATIONSHIP
VERY CLOSE WITH TERÁN.
609
00:35:02,350 --> 00:35:06,395
TERAN IS A MAN OF MORALITY
QUITE SOLVENT, LET'S PUT IT THAT WAY.
610
00:35:07,647 --> 00:35:10,650
HE DOESN'T LIVE HERE ANYMORE.
A FRIENDSHIP THAT I NO LONGER FREQUENT.
611
00:35:11,526 --> 00:35:12,527
LIVES ABROAD.
612
00:35:12,610 --> 00:35:16,405
ME WITH SO MANY THINGS
SO WHAT DOES THE GOVERNMENT DO, RIGHT?
613
00:35:16,489 --> 00:35:18,449
WELL, I DON'T HAVE A HEAD FOR ANYTHING ELSE
614
00:35:18,991 --> 00:35:21,953
WHICH I AM OBVIOUSLY GRATEFUL
WITH ALL THE ADVANCES WE HAVE HAD.
615
00:35:22,036 --> 00:35:22,954
I'M HAPPY.
616
00:35:23,287 --> 00:35:27,166
QUINTANA ROO HAS DEVELOPED ENOUGH
ECONOMICALLY IN THE RECENT MONTHS...
617
00:35:27,250 --> 00:35:29,961
HEY, SORRY I'M COMING BACK
TO THE PREVIOUS TOPIC.
618
00:35:30,586 --> 00:35:33,506
AROUND FORMER PRESIDENT OMAR TERÁN
THERE ARE A LOT OF SUSPICATIONS.
619
00:35:34,215 --> 00:35:39,095
FIRST, THE DEATH OF HIS WIFE
AND NOW ABOUT MAYRA RODRÍGUEZ.
620
00:35:40,012 --> 00:35:41,931
IN FACT, THE TESTS
THEY CLEARLY INDICATE
621
00:35:42,014 --> 00:35:44,433
THAT SHE WAS KILLED INSIDE
OF "THE PINES".
622
00:35:45,560 --> 00:35:47,937
WELL, "LOS PINOS" IS A PLACE
PRETTY BIG, RIGHT?
623
00:35:48,020 --> 00:35:50,940
WHERE, AT THAT TIME, WELL, A LOT
PEOPLE WORK THERE.
624
00:35:51,774 --> 00:35:53,317
NOW, WELL, IT'S ANOTHER THING.
625
00:35:53,693 --> 00:35:55,903
IT'S A PLACE OF FUN.
626
00:35:55,987 --> 00:35:58,406
A MUSEUM WHERE PEOPLE CAN GO,
BRING YOUR LUNCH,
627
00:35:58,614 --> 00:36:00,408
HAVE A GOOD TIME, RIGHT?
GREATEST.
628
00:36:01,200 --> 00:36:02,535
OH WELL. WITH ALL RESPECT, CARLA,
629
00:36:02,827 --> 00:36:06,080
IF YOU WOULD LIKE TO ASK HIM SOMETHING
TO MR. OMAR TERAN,
630
00:36:06,163 --> 00:36:08,833
WELL, I THINK I SHOULD DO IT
PERSONALLY, RIGHT?
631
00:36:10,126 --> 00:36:13,254
IF I DARE TO GIVE SOME OPINION,
632
00:36:13,838 --> 00:36:15,798
WELL, I THINK IT WOULD BE FALLING LIKE...
633
00:36:16,340 --> 00:36:17,633
...AS IN OTHER THINGS.
634
00:36:17,884 --> 00:36:22,930
IN THE TERRITORY OF...
ABOUT SPECULATION AND ALL THAT, RIGHT?
635
00:36:28,769 --> 00:36:30,479
- [Castillo] DID CARLA COMMUNICATE?
- [assistant] NO, SIR.
636
00:36:34,692 --> 00:36:37,695
SIR, ALL THE CAMERAS FOOTAGE
SECURITY
637
00:36:37,778 --> 00:36:39,488
FROM "THE PINES" OF THAT TIME
HE IS MISSING.
638
00:36:39,572 --> 00:36:41,240
- [Castle] YES.
- [Alfaro] THERE IS ONLY THE RECORDING
639
00:36:41,324 --> 00:36:43,784
FROM A MEETING THEY HAD
THE CURRENT GOVERNOR OF QUINTANA ROO
640
00:36:43,868 --> 00:36:46,662
AND PRESIDENT TERÁN.
THEY ARE HAVING A FEW DRINKS...
641
00:36:48,080 --> 00:36:50,458
I THOUGHT THAT GIVEN THE REPUTATION
OF THE FORMER PRESIDENT,
642
00:36:50,541 --> 00:36:52,126
WELL, YOU WOULD WANT TO KNOW THIS DETAIL.
643
00:36:53,669 --> 00:36:55,254
WHAT ARE YOU REFERRING TO, ALFARO?
BE CLEAR.
644
00:36:55,713 --> 00:36:59,425
WELL, WELL, HEY,
IT WAS SAID THAT THESE TWO GENTLEMEN
645
00:36:59,508 --> 00:37:00,635
THEY TOOK CARE OF THEM, SIR.
646
00:37:03,387 --> 00:37:06,265
THAT'S WORTHY TO PEOPLE, ALFARO.
647
00:37:07,516 --> 00:37:10,186
BUT THAT IS NOT A CRIME.
648
00:37:10,561 --> 00:37:11,646
KILL SOMEONE, YES.
649
00:37:12,605 --> 00:37:13,940
OR BE COMPLICY IN HIS DEATH.
650
00:37:15,775 --> 00:37:17,985
AMONG OTHER THINGS THAT HAPPENED TO HIM
TO POOR MAYRA.
651
00:37:20,655 --> 00:37:22,073
SHE WAS RAPED RIGHT THERE
IN "THE PINES"...
652
00:37:23,074 --> 00:37:23,908
HOW?
653
00:37:24,659 --> 00:37:25,743
BEFORE THEY KILLED HER?
654
00:37:26,827 --> 00:37:29,080
THAT IS RECORDED,
HOW DO YOU KNOW THAT INFORMATION, SIR?
655
00:37:29,997 --> 00:37:30,831
I ALREADY KNOW.
656
00:37:31,958 --> 00:37:32,917
THERE IS NOTHING RECORDED.
657
00:37:35,002 --> 00:37:37,588
BUT, WELL...
KEEP INVESTIGATING.
658
00:37:37,672 --> 00:37:38,506
[Alfaro] YES, SIR.
659
00:37:39,090 --> 00:37:40,675
DON'T FORGET WHAT I ASKED OF YOU, ALFARO.
660
00:37:41,217 --> 00:37:43,928
THE WOMAN IS IN A CARAVAN
FROM CENTRAL AND SOUTH AMERICAN, RIGHT?
661
00:37:44,011 --> 00:37:44,845
YES SIR.
662
00:37:53,312 --> 00:37:55,606
YES, I KNOW YES.
I KNOW YOU ARE BORED.
663
00:37:55,898 --> 00:37:57,817
YOU ARE UNCOMFORTABLE,
BUT WE'RE GOING TO GO.
664
00:37:57,900 --> 00:37:59,652
LOOK, NOW... THEY'RE GOING TO LET US GO.
665
00:37:59,735 --> 00:38:01,279
YOU'RE GOING TO SEE, YES?
666
00:38:01,988 --> 00:38:03,239
I MISS MY LITTLE BROTHER.
667
00:38:03,781 --> 00:38:04,615
[dramatic music]
668
00:38:08,244 --> 00:38:09,120
ME TOO...
669
00:38:10,329 --> 00:38:11,831
I MISS YOU TOO, MY LOVE.
670
00:38:22,341 --> 00:38:25,261
YOU ARE RIGHT...
THE POWER DOES TURN ON.
671
00:38:26,595 --> 00:38:28,723
YOU ARE VERY BITCH,
WHAT'S THE FART WITH YOUR ENDURANCE?
672
00:38:29,724 --> 00:38:30,558
YOU INSPIRE ME.
673
00:38:31,017 --> 00:38:33,310
NO. I BELIEVE THAT YOU WERE BORN INSPIRED.
674
00:38:37,356 --> 00:38:38,190
GOOD...
675
00:38:38,566 --> 00:38:42,278
I'M GOING TO BATHE BECAUSE I FEEL
I SMELL LIKE SEX FOR KILOMETERS...
676
00:38:42,862 --> 00:38:45,281
AND I WANT TO KNOW WHAT DEMADRIT
IT'S HAPPENING OUT THERE.
677
00:38:46,240 --> 00:38:47,742
OUT THERE?
WHAT'S HAPPENING?
678
00:38:48,117 --> 00:38:48,993
DIDN'T YOU LISTEN?
679
00:38:49,368 --> 00:38:51,704
THERE ARE LIKE MANY STEPS, VOICES...
680
00:38:52,163 --> 00:38:53,998
- NO, YOU DIDN'T EVEN REALIZE.
- NOT AT ALL.
681
00:38:55,499 --> 00:38:57,585
LOOK, WHAT IF WE BATHE TOGETHER?
682
00:38:57,668 --> 00:39:00,046
OH, YES? DO YOU THINK YOU CAN HOLD ON?
683
00:39:01,005 --> 00:39:02,339
I'M JUST STARTING.
684
00:39:10,848 --> 00:39:13,934
WHAT NOW, DIANA?
I'M HERE NOW. NOW WHAT THE FUCK?
685
00:39:14,435 --> 00:39:17,688
TAKE A TAXI FROM THE AIRPORT AND GO
TO THE INNER CIRCUIT SHOPPING CENTER.
686
00:39:17,980 --> 00:39:19,899
DID YOU KNOW? I'M UP TO THE MOTHER
OF YOUR THINGS
687
00:39:19,982 --> 00:39:21,734
AND SO MUCH MYSTERY, DIANA.
688
00:39:21,817 --> 00:39:24,195
OR, ALSO, THAT SHOPPING CENTER
IT'S NICE.
689
00:39:25,321 --> 00:39:26,489
LOOK, SIS, THIS IS NO GAME.
690
00:39:26,572 --> 00:39:28,324
I'M TALKING SERIOUSLY TO YOU.
DON'T DO ANY THINGS, OKAY?
691
00:39:28,616 --> 00:39:30,326
OH! WHY WAS I NOT AN ONLY DAUGHTER?
692
00:39:34,455 --> 00:39:36,248
HELLO, EH, I WANT A TAXI
693
00:39:36,707 --> 00:39:38,417
FOR THE SHOPPING CENTER THAT IS...
694
00:39:38,709 --> 00:39:41,379
- I DON'T KNOW... THE INTERIOR CIRCUIT.
- YEAH.
695
00:39:41,962 --> 00:39:42,797
FUCKING MOTHER...
696
00:39:47,426 --> 00:39:48,260
[cell phone ring]
697
00:39:50,513 --> 00:39:51,847
WHAT WAS THERE? HERE ME.
698
00:39:51,931 --> 00:39:52,765
VITAS...
699
00:39:53,974 --> 00:39:56,102
I NEED YOU PLEASE
PAY ATTENTION TO ME, OKAY?
700
00:39:57,812 --> 00:40:00,481
LOOK, I WANT YOU TO GO TO THE MALL
INTERNAL CIRCUIT
701
00:40:00,981 --> 00:40:02,024
AND NAVY ARSENAL.
702
00:40:03,150 --> 00:40:04,819
THERE YOU PARK ON THE FIRST LEVEL...
703
00:40:05,653 --> 00:40:07,404
...AND YOU MAKE SURE UNTIL I SEND YOU
A TEXT MESSAGE
704
00:40:07,488 --> 00:40:08,614
TO GO FIND BERENICE, OKAY?
705
00:40:08,697 --> 00:40:10,116
AND... AND YOU, PERSONALLY, BITCH.
706
00:40:10,991 --> 00:40:11,909
I DON'T WANT ANYONE ELSE TO GO.
707
00:40:12,576 --> 00:40:13,619
YES, YES, DON'T HURRY.
708
00:40:14,078 --> 00:40:15,037
IT'S SPOKEN AND A HALF.
709
00:40:16,455 --> 00:40:19,166
ALSO MAKE SURE THAT NO ONE
I'M FOLLOWING HER, OKAY?
710
00:40:19,708 --> 00:40:20,543
ARRE.
711
00:40:23,129 --> 00:40:23,963
IS THIS THE FAIR?
712
00:40:24,422 --> 00:40:25,256
[Beloved] WHERE IS THE HOUSE?
713
00:40:28,259 --> 00:40:29,093
[Evelina] HERE.
714
00:40:30,928 --> 00:40:32,263
WITH ITS LIGHTS...
715
00:40:34,765 --> 00:40:35,891
- YES?
- [Evelina] YES.
716
00:40:39,603 --> 00:40:40,438
DAD?
717
00:40:42,356 --> 00:40:44,567
QUIET, DON'T GO.
718
00:40:45,109 --> 00:40:47,778
STAY WITH US, HUH?
WE ARE GOING TO HELP YOU.
719
00:40:49,363 --> 00:40:53,325
YOU ARE DAUGHTER OF RAY LÓPEZ
AND I LOVED HIM VERY MUCH.
720
00:40:59,999 --> 00:41:01,125
I LOVE YOU, DAD...
721
00:41:04,211 --> 00:41:05,045
[Evelina] DAD...
722
00:41:09,425 --> 00:41:11,093
I LOVE YOU, SON.
723
00:41:12,511 --> 00:41:15,306
[Beloved] NO, NO...NO, NO.
724
00:41:17,099 --> 00:41:17,933
[dramatic music]